1,191 Royalty-Free Audio Tracks for "Room Tone"

Isolated background noise from the restroom of a repurposed 1950's high school. Recorded on my cell phone.

A recording of a backroom with the extractor fans running, the audio is low in pitch and can be used in instances like machinery rooms, all of my sounds come uncompressed or processed. This means there may be unwanted background noise/ sound that you can remove or not at your will. Equipment used:. Tascam dr40 w/ built in stereo microphone. File information:48,000hz24bit wavstereo.

English: Chopin Prelude, Op. 20, No. 10 (1832) opening. Consecutive diminished seventh chords as whole tone scale harmony. Piston analyses viio as Vo9 with a missing root.

Demonstration of the melodic minor second's place in a cadence. Created by the uploader.

Hum generated by an old tubelight. . . Recorded through a pg 58 mic.

Room tone de habitación en departamento. Estereo 48khz 24 bits.

Water heater/boiler turning on and running, consistent hum. More sounds like this on wavjunction. Com.

Room tone with a low rumble, coming probably from a washing machine on a different floor of the building. X/y stereo (zoom h5).

Room tone de uma pracinha pela manhã. Gravado com um tascam dr-40x. Brasil. Use a vontade. ***the room tone of a silent park over morning. Recorded with a tascam dr-40x. Brazil. Use as you like.

Old water cooler filter.

*Greater 37-limit quarter tone on C = C♯. Just: 37:36 = 47.43 cents. Limit: 37-limit. MIDI pitch bend: 23,79 on PU

*Greater 29-limit quarter tone on C = C. Just: 29:28 = 60.75 cents. Equal-tempered: 21/24:1 = 50 cents. Limit: 29-limit. MIDI pitch bend: 56,83

Use of the whole tone scale in Debussy's Voiles (1910), Prelude. 2, mm.1-4.

*Lesser 37-limit quarter tone on C = D-. Just: 38:37 = 46.17 cents. Limit: 37-limit. MIDI pitch bend: 99,78

Combinatorial tone rows from Moses und Aron by Arnold Schoenberg pairing complementary hexachords from P-0/I-3.

Diminished triad on B in just intonation. Presumably B-D-F in 5-limit just intonation.

The opening eleven note chord from Aaron Copland's Inscape, without orchestration shown.

Ninth vs added-ninth chord.

Recorded with zoom h5 xy48khz24bits.

Here is a gas meter on a restaurant. I managed to get a chunk without much background noise here but i do change the mic position part way through the recording. . You'll notice it gets darker, then change it back. There's enough of each to get a good loop going as i have in the past. Recorded with a zoom h4.

I recorded this for a project i was doing, and because i used so many samples from this site on the project, i figured i'd give some back too. This is the sound of my dorm room at nyu, recorded in an xy configuration with two condenser microphones.

Recording of my office before anyone else is in. The only sound apart from the faint fan noise is a regular, very, very faint beep from something every few seconds (approx. 3. 7 khz). Zoom h5 with xyh5 capsules.

Room tone - bathroom with vent fan on (fan distant).

Recording of a busy hospital room tone during the day in kolkata, indiarecorded with zoom h6.

Room tone - bathroom with vent fan on (recorded semi-close to fan).

The low hum of ductwork and florescent lights echoes down the length of a concrete hallway.

Room tone of an office where i waited for a while. Very loud air conditioner. People speaking in background very loudly.

Primary forms of the just tone row from Ben Johnston's String Quartet No. 7, mov. 2. Pitch bend appears to match intervals.

Chord progression with diminished seventh chords added.

*Lesser septendecimal quarter tone on C = D♭ (Ben Johnston's notation). Just: 35:34 = 50.18 cents. Limit: 17-limit. MIDI pitch bend: 7,80 on PU

A thirteenth chord "collapsed" into one octave results in a dissonant, seemingly secundal[1] tone cluster. Created by Hyacinth (talk) 22:18, 5 July 2009 using Sibelius 5.

Motherchord (Mutterakkord), pyramidal (symetrical) chord. A G# E C# B F# C♮ F♮ G Bb D Eb = 0 e 7 4 2 9 3 8 t 1 5 6.

24-tet scale on C (50 cent steps). Easley Blackwood, Jr.'s notation for 24 equal temperament. As only "ups" are used, there are no three-quarter flats and quarter flats are enharmonically spelled (Dd = C#↑). Pitches are split into two groups of 12. MIDI pitch bend is correct for intervals.

Mother chordMutterakkord

Bathroom fan recorded at 192k ortf stereo position.

This is the background sound of a space station. The upper mids (around 1700 hz) are cut so that dialog should fit over the sound easily.

This is a whole tone scale beginning on middle-C, created by me using Lilypond and TiMidity.

*Eighty-third harmonic on C. Just: 83/64 = 450.05 cents. Limit: 83-limit. MIDI pitch bend: 2,80

Enharmonic tetrachord in Pythagorean tuning. Created by Hyacinth (talk) using Sibelius 5. hypate parhypate lichanos mese 4/3 9/7 5/4 1/1 ↓ 28/27 ↓36/35↓ 5/4 ↓ -498 -435 -386 0 cents MIDI pitch bend appears to match intervals.

Webern's String Quartet Op. 28 tone row, composed of three tetrachords: P I RI, with P = the BACH motif.

This is a modified version of "earthkiller background 1", the background noise inside a space station. I removed some upper midrange (1700 hz) to make it easier to mix with dialog.

This is a recording i made on set with a group of extras pretending to be in a hospital waiting room. Sennheiser mkh416 - sound devices 442 - tascam dr680.

A dehumidifier and fan running in a basement.

This is a recording i made on set with a group of extras pretending to be in a hospital waiting room. Sennheiser mkh416 - sound devices 442 - tascam dr680.

Empty atmos of my building. Recorder: mixpre 6microphones: oktavia. You can use this sound for your non-profit or for-profit projects. You can also help me directly on paypal:https://paypal. Me/federicocasazza?country. X=gb&locale. X=en_gb. Enjoy.

This is traffic outside my office on ventura boulevard, recorded in the lobby with the front door closed. The traffic is still fairly present, because there's a mail slot in the door which allows quite a bit of the sound through. Recorded with: sanken cs-1e, fostex fr2le.

*Greater septendecimal quarter tone on C = C↓♯ (Ben Johnston's notation). Just: 34:33 = 51.68 cents. Limit: 17-limit. MIDI pitch bend: 69,80 on PU

*Lesser 29-limit quarter tone on C = C♯ (Ben Johnston's notation). Just: 30:29 = 58.69 cents. Equal-tempered: 21/24:1 = 50 cents. Limit: 29-limit. MIDI pitch bend: 100,82 on PU

Common-tone modulation between chromatic mediants in Mozart's K. 475, mm. 24-26.

Primary forms of the just tone row from Ben Johnston's String Quartet No. 7, mov. 2. Pitch bend appears to match intervals.